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另一个来自字体系统的48切系列，最初来源于需要简单地向一些发布者解释它是什么是“衬线，无衬线，埃及”等，包括它们的风格变化。随着时间的推移，琐事变得相当流行，这是她的目标。现在有机会解释它是什么“怪诞的”。艺术中的怪诞一般是奇怪的，令人厌恶的不当行为的代名词，也是超现实的可憎的令人激动的同情怜悯。
自哥特式石像鬼，石雕和嵌合体以来，这些品质无疑吸引了观众的目光。怪诞字体与冷无衬线字体不同，它更温暖，对标题，海报或广告更具吸引力，并且通常以各种宽度和重量给出。通过我们的琐事，它分享了基本的比例和OpenType功能。
Another 48-cut family from a typeface system which originally arose from the need to simply explain to some publishers what it is “serif, sans-serif, egyptian”, etc. including their style variations. Over time, the Trivia became quite popular, which was her goal. Now is the opportunity to explain what it is “grotesque.” Grotesque in art is generally synonymous with bizarre, repulsive impropriety, but also surreal abomination exciting an empathic pity.
These are qualities that undoubtedly attract the viewer’s attention since the days of Gothic gargoyles, stone gorgons and chimeras. Grotesque font is unlike the cold sans-serif much warmer, more appealing for the title, poster or advertisement, and is usually given in a variety of widths and weights. With our Trivia it shares basic proportions and OpenType features.
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